Everyday Performance/Performing the Everyday: Exhibitions, Leisure and Hospitality
by Shahmima Akhtar (Birmingham), Carmen Gitre (Virginia Tech), Vernadette Vicuña Gonzalez (Hawai’i, Mānoa) The panel “Everyday Performance/Performing the Everyday: Exhibitions, Leisure, and Hospitality” assembled three papers that spoke to different types of performances and meaning-making, primarily from below, that operate within, against and alongside empire. All three papers addressed “spaces of encounter.” These spaces ranged from the public (coffee houses, street theatres, world’s fair exhibits, vaudeville stages) to the intimate (the home), but they engendered ephemeral, affective moments that constituted the everyday transactions and interactions of empire. Performances, repertoires, and rituals within such spaces both shored up and undermined imperial power. They hosted moments of consent, survival, resistance, and nostalgia. They were highly gendered and classed spaces, crucial sites for identity-formation for self, class, and nation. They were also fragile, fragmented, and contested. Within those spaces of encounter, people of all stripes forged new grammars and symbolic systems—oblique, humorous, deeply personal, or outright unsettling—that point to the creativity of resistance in particular. The focus on the everydayness of these spaces and the way that they shaped the wider everydayness of empire allowed us to identify and explore encounters that could consolidate and/or unsettle empire, but which are frequently overlooked or treated as transparent in the existing historiography of empire. Subjects of empire engaged in exchanges, negotiations, and other kinds of transactions in these everyday spaces of encounter. These spaces were not necessarily sites of anti-imperial contestation. […]
