Introducing Early Modern Global Soundscapes: A Workshop
Received from Dr. Emilie Murphy (University of York) Early Modern Global Soundscapes: A Workshop, Humanities Research Centre, University of York, 25th-26th January 2019 How did sounds shape the lives of individuals and their communities in the early modern world? In recent years scholars have started to address this question. Richard Cullen Rath’s How Early America Sounded (2003) is pioneering in its approach to indigenous and European soundscapes in colonial America, and 2019 marks the twentieth anniversary of the publication of Bruce Smith’s equally provocative analysis of aurality and orality in The Acoustic World of Early Modern England. Yet there are several issues that remain unresolved when considering historic sounds – especially the tension between the particular and the universal. Are there any commonalities between soundscapes, or are all soundscapes unique? Moreover, what is a soundscape and are definitions dependant on disciplinary perspective? Alternatively, is there a collective way that all scholars can and should conceptualise soundscapes? This workshop will bring together early career and established interdisciplinary scholars to discuss their own approaches to historic sounds and sonic interactions. Confirmed speakers and respondents include: Iain Fenlon (King’s College, Cambridge), Alexander Fisher (University of British Columbia, Vancouver), Penelope Gouk (Manchester), Deborah Howard […]
