Looking Back to the Future: Nationalist Visions of India in the Twentieth Century
Dr. Aashish Velkar (University of Manchester) When Abanindranath Tagore (1871-1951) made his iconic painting of Bharat Mata, or Mother India, in 1905, he gave form to a vision of a united nation. The image of a saffron clad woman, holding a manuscript, sheaves of paddy, a piece of cloth and a garland visualised India (or Bharat) as a nation united by its industry, spirituality, knowledge, wisdom and ecology (see Image 1). This process of visualising – giving form to an imagination – would be repeated in many different ways throughout the independence movement of the 1920s and the 1930s (see Image 2).1 The images gave material form to the nationalist aspirations for a politically united nation, which India was not before 1950, as well as an economically developed nation, which it certainly was not. Historiography notes how vivid and diverse these visions were. Tagore’s student, Nandalal Bose (1882-1966), captured Gandhi’s vision of an Indian society built upon localism and traditional arts and crafts. Bose’s murals, painted for the 1938 Congress session at Haripura celebrated village daily lives and rural traditions, tying them to the nationalist project of swarajya, or self-rule: the murals decorated the pandals, or the temporary platforms, erected […]