A Black Life in Reformation Heidelberg: Dietrich Mohr, Kettledrummer and Trumpeter
by Dr. Matthew Laube (Birkbeck College, University of London) In ‘“The Harmony of One Choir”? Music and Social Unity in Reformation Heidelberg’, published in Past & Present No. 248, I explored the ways in which music differentiated and reinforced the identities of urban subgroups in Reformation Heidelberg. I examined differences in the social and acoustic profiles of the city’s parish churches, as well as student cultures of song which helped university communities to stand out from the urban fabric and cultivate trans-national and cross-confessional cultures of studenthood. There were a number of perspectives on this question – of how Heidelbergers stood out from, and blended into, urban society – which did not make the final cut in the published article. Although alluded to in the conclusion, I did not look at the ways in which sound helped to reinforce membership in professional networks, such as fishermen or professional musicians. Nor was I able to discuss other forms of difference in the city, for instance, difference of skin colour. As a result, my article did not discuss a little-known but well-documented African German musician named Dietrich Mohr, who lived and worked in Heidelberg during the first two decades of the seventeenth century. […]

