Isaac and Antichrist Then and Now
by Sara Lipton My recent article, “Isaac and Antichrist in the Archives,” offers a new reading of an image widely regarded as the earliest known anti-Jewish caricature. This image, a sketch or doodle atop an English tax receipt roll from 1233, has almost exclusively been discussed as a chapter in Jewish history, a vivid instantiation of the intensifying anti-Semitism of later medieval Europe. Focusing, instead, on its origins in the Bureau of the Exchequer, I argue that the sketch is, in essence, political satire. Though the three Jews caricatured in the center of the image are undoubtedly depicted in a negative light, they serve primarily to convey a (masked) indictment of a powerful court faction. In order to safely lampoon that faction, which had recently taken over the Exchequer and implemented unpopular policies, the cartoonist – most likely an Exchequer clerk — gave concrete visual form to abstract anti-Jewish tropes, tied these signs to specific individual Jews, and then linked these Jews to the royal court. My goals for the piece were three-fold: 1) to illuminate the original meaning and function of the image; 2) to consider how and why anti-Jewish caricature developed in this particular time and place; 3) […]