The Present in the Past: Reflections on Veiling Practices and Practicing History
by Grace Stafford (University of Vienna) I first became interested in practices of veiling and head-covering during my PhD, when I stumbled across one of the single most beautiful portraits to survive from antiquity (in my opinion at least!). It is a marble bust of a woman, rendered with such sensitivity and plasticity that seems almost impossible for stone. She gazes just past us with heavily lidded eyes, her face calm, and her voluminous hairstyle enveloped by a delicate cover that creases and bunches with spectacular realism. She was made around 400 CE, probably somewhere near the east Roman capital of Constantinople, and represents a woman from a prominent family, or at least one rich enough to have a portrait like this carved. She is truly a triumph of late antique artistry, sitting right at the end of a 1000-year tradition of ancient portrait sculpture. What really attracted my attention though, was the way in which she was described in the catalogue of Roman portraits in which I found her. After a long and detailed description typical of such books, the final paragraph turned to the issue of her covered hair. It stated directly that this garment was not simply […]
